Ever wondered whether hitting “Go Live” on your latest Elden Ring session could land you in legal hot water? While millions tune in daily to Twitch and YouTube to watch creators play, joke, and rage through their favourite titles, the truth behind the screen is murkier than you think. UK copyright law doesn’t explicitly say it’s okay. In fact, on paper, it might be breaking the rules.

So why aren’t streamers constantly sued? Is it luck, ignorance, or an industry-wide wink and nudge? From PewDiePie’s takedown to parody loopholes, EULAs, and whether gameplay commentary constitutes critique, this in-depth exploration peels back the legal curtain on a global entertainment phenomenon. If you’re a gamer, streamer, or just IP-curious, this one’s for you.

Read Cristian’s full article: “Copyright and Video Game Streaming – A UK Legal Perspective.”

Cristian is a final-year LLB student at City St George’s, University of London, with a particular academic interest in intellectual property, media, and entertainment law. His broader areas of focus include family and criminal law.

Prior to studying law, Cristian pursued a successful international career as a professional dancer, performing across Europe and the United States. Notable credits include Andrea Bocelli’s English tour and 30th-anniversary televised concert in Florence, as well as an appearance on The Kardashians (Disney+, Season 6, Episode 7). These experiences have informed his passion for the legal protection of creative works and the evolving relationship between law, performers, and digital platforms.